<div class="artist"><strong>León Ferrari</strong></div><div class="title_and_year"><em>A civilização ocidental cristã</em>, 1965</div><div class="medium">Plástico, óleo e gesso<br/>
</div><div class="dimensions"> 200 x 120 x 60 cm</div>
<div class="artist"><strong>León Ferrari</strong></div><div class="title_and_year"><em>Torradeira</em>, 2000</div><div class="medium">Torradeira elétrica com cristos de plástico</div><div class="dimensions">29 x 35 x 10 cm</div>
<div class="artist"><strong>León Ferrari</strong></div><div class="title_and_year"><em>Homem</em>, 1962 </div><div class="medium">Escultura aço inox</div><div class="dimensions">70 x 35 x 35 cm.</div>
<div class="artist"><strong>León Ferrari</strong></div><div class="title_and_year"><em>Sem titulo</em>, 1984</div><div class="medium">Escultura em aço inox</div><div class="dimensions">61 x 30 x 29 cm<br/>
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<div class="artist"><strong>León Ferrari</strong></div><div class="title_and_year"><em>Torre de Babel </em>, 1964</div><div class="medium">Escultura de aço inox, bronze e cobre</div><div class="dimensions">200 x 80 cm</div>
<div class="artist"><strong>León Ferrari</strong></div><div class="title_and_year"><em>Gagarin</em>, c. 1961</div><div class="medium">Escultura em aço inox</div><div class="dimensions">Ø=52 cm</div>
<div class="artist"><strong>León Ferrari</strong></div><div class="title_and_year"><em>Kama sutra I</em>, 1979</div><div class="dimensions"> 31 x 21, 5 cm</div>
<div class="artist"><strong>León Ferrari</strong></div><div class="title_and_year"><em>Carta a um general</em>, 1963</div><div class="medium">Nanquim sobre papel</div><div class="dimensions">48 x 31 cm</div>
<div class="artist"><strong>León Ferrari</strong></div><div class="title_and_year"><em>Quadro escrito  </em>, 1964</div><div class="medium">Nanquim sobre papel</div><div class="dimensions"> 66 x 48 cm</div>
<div class="artist"><strong>León Ferrari</strong></div><div class="title_and_year"><em>A árvore inseminadora</em>, 1964</div><div class="medium">Colagem e Nanquim sobre papel</div><div class="dimensions">42 x 32 cm</div>
<div class="artist"><strong>León Ferrari</strong></div><div class="title_and_year"><em>União Livre</em>, 2004</div><div class="medium">Texto em, braile sobre fotografia de Tatiano Maiore</div><div class="dimensions">18 x 24 cm</div>
<div class="artist"><strong>León Ferrari</strong></div><div class="title_and_year"><em>Manequin transparente</em>, 1994</div><div class="medium">Técnica mista</div><div class="dimensions">65 x 36 x 8 cm</div>
<div class="artist"><strong>León Ferrari</strong></div><div class="title_and_year"><em>A Virgem e o Menino</em>, 1994</div><div class="medium">Colagem sobre manequim</div><div class="dimensions">66 x 40 x 14 cm</div>
<div class="artist"><strong>León Ferrari</strong></div><div class="title_and_year"><em>Sem título</em>, 1988.</div><div class="medium">Colagem</div><div class="dimensions">34 x 50 cm</div>
<div class="artist"><strong>León Ferrari</strong></div><div class="title_and_year"><em>Página do livro Parahereges</em>, 1986</div><div class="medium">Colagens</div><div class="dimensions">31 x 20,6 cm</div><div class="edition_details">São Paulo, Editora Expressao, 1986. </div>
<div class="artist"><strong>León Ferrari</strong></div><div class="title_and_year"><em>Juízo Final</em>, 1985</div><div class="medium">Colagem de excrementos de aves sobre graura do Juízo Final de Michelangelo</div><div class="dimensions">46 x 33 cm</div>
<div class="artist"><strong>León Ferrari</strong></div><div class="title_and_year"><em>Planta</em>, 1980</div><div class="medium">Nanquim e letraset sobre película plástica</div><div class="dimensions">93.3 x 95.6 cm.</div><div class="edition_details">Original com cópia heliográfica.</div>
León Ferrari
A civilização ocidental cristã, 1965
Plástico, óleo e gesso
200 x 120 x 60 cm
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León Ferrari is one of the most renowned Latin American artists worldwide, acclaimed at the 2007 Venice Biennale, for which he received the Golden Lion Award in recognition of his artistic oeuvre that, until the end of his life, motivated him to challenge the world we live in.

In his artistic practice, he makes use of different languages, such as sculpture, drawing, writing, collage, assemblage, installation and video. This heterogeneous set of practices integrates themes that reveal both his researcher and activist character as the aesthetic investigation of language, the questioning of the Western world, power and normatization that dictates the values of Religion, Art, Justice and the State, the reverence for women and eroticism, and the depiction of violence. The repetition, the irony, and the literality are also resources of his poetics, recognized since his early works.

In the 1960s, the drawings and sculptures of Ferrari are permeated, in particular, by the ethical questioning of religion and the denunciation against Imperialism. In 1976, a military coup forced the artist and his family to leave Buenos Aires, moving to São Paulo, where they remained until the 1990s. During his stay in Brazil, Ferrari joined the local experimental circuit, involving with the process of language revitalization through the production of heliographies, photocopies, musical instruments, concerts and mail art. Upon returning to Argentina, the artist continued to produce politically engaged artworks, questioning the disappearances that occurred during the Military Dictatorship.

León Ferrari was born in 1920 in Buenos Aires, Argentina, where he lived until his death in 2013. His works were exhibited at major international exhibitions, such as: The Words of Others: León Ferrari and Rhetoric in Times of War, Pérez Art Museum Miami (PAMM), Miami, USA, 2018, and Roy and Edna Disney/CalArts Theater (REDCAT), Los Angeles, USA, 2017-18; La donación Ferrari, Museo de Arte Moderno de Buenos Aires (MAMBA), Buenos Aires, Argentina, 2014; León Ferrari - Brailles y Relecturas de la Biblia, Museo de Arte Latinoamericano de Buenos Aires (MALBA), Buenos Aires, Argentina, 2012; Tangled Alphabets: León Ferrari and Mira Schendel, The Museum of Modern Art (MoMA), New York, USA, 2009; León Ferrari: Poéticas e Políticas, Pinacoteca do Estado do São Paulo, Brazil, 2006; León Ferrari: retrospectiva. Obras 1954-2004, Centro Cultural Recoleta (CCR), Buenos Aires, Argentina, 2004; and Politiscripts, The Drawing Center (TDC), New York, USA, 2004. He participated in Think with the Senses, Feel with the Mind: Art in the Present Tense at the 52nd Venice Biennale (Italian Pavilion and Arsenal), in 2007, receiving the Golden Lion Award. His works are present in important institutional collections, such as: Pérez Art Museum Miami (PAMM), Miami, USA; Art Institute of Chicago (AIC), Chicago, USA; Centro de Arte Contemporáneo Wifredo Lam, La Habana, Cuba; Daros Latinamerica Collection, Zürich, Switzerland; Fondo Nacional de las Artes, Buenos Aires, Argentina; Museo de Arte Latinoamericano de Buenos Aires (MALBA), Argentina; Museu de Arte Moderna do Rio de Janeiro (MAM-RJ), Brazil; Museu de Arte Moderna de São Paulo (MAM-SP), Brazil; Pinacoteca do Estado de São Paulo, Brazil; The Museum of Fine Arts (MFAH), Houston, USA; The Museum of Modern Art (MoMA), New York, USA; Tate Modern, London, UK; among others.

Texto Crítico

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  • on the concept of truth in León Ferrari

    lisette lagnado
    In 2009, the Museum of Modern Art of New York (MoMA) organized the exhibition 'Tangled Alphabets: León Ferrari and Mira Schendel' (Luiz Pérez-Oramas curator), which traveled to Museo Nacional Centro de Arte Reina Sofía (Madrid, Spain) and the Iberê Camargo Foundation (Porto Alegre, Brazil), gathering a wide range of works by both artists. The MoMA exhibition sought to emphasize the ways of inserting verbal language into the field of visuality. Almost ten years later, this time at the Nara Roesler Gallery, which represents the artist’s estate, the city of New York welcomes a precise selection of León Ferrari’s production, whose name is inscribed in the artistic avant-garde of Latin American experimentalism and conceptualism . It is now about looking at only twenty collages and asking: what are these alphabets for? And what do the images associated with them say? Between poetic fragments and divine verdicts, the curator surmises hypotheses about “the Alpha and the Omega' (the beginning and the end) of León Ferrari (Buenos Aires, 1920-2013), who upheld...