The Brazilian Museum of Sculpture and Ecology (MUBE) hosts an individual exhibition, O Papel é Innocente, by the artist artist Marco Maggi, who establishes an intimate relationship with the architecture of Paulo Mendes da Rocha for MuBE. The works dialogues with the various levels of the museum, a ladder and a ceiling grid. The exhibition is silent, with few delicate elements. The date of publication of a quick and fast campaign, the work of Marco Maggi is not a quick and fast delivery, on the contrary, the public demand is not attentive and slow.
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