This group exhibition, curated by Agnaldo Farias and Ricardo Ribenboim, presents a selection of works from the institution's permanent collection. Together, the works seek to narrate the last seventy years of Brazilian artistic production, in a presentation organized according to three areas: Abstraction, Portraiture and Landscape. Tomie Ohtake's Sem título (1978), is part of the section dedicated to abstract experimentation in the country. The artist is a leading figure of her generation and of Brazilian abstraction.